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offspring of artistic parents, Sumeet is poised to carry on the family
legacy of musicianship and songwriting with a voice that’s haunting and
infectious. With her debut solo project “Deeper” taking off, Sumeet is
bringing music lovers worldwide what they crave, soulful, eclectic,
cross cultural infused music, a musical masala (a blend of spices) if
you please, sung beautifully and at times evocatively by a girl who has
described herself as a “A likkle,overly-skinny, high school kid” but
has no doubt overcome her insecurities emerging into a striking,
confident woman ready to spread her wings and take her listeners deeper
than they may have expected to go.
Q. Sumeet, how did you begin this journey into the music industry?
A. I
was about to start my last year of school when I realized, without
doubt, music was the only thing that made me happy and I needed to
pursue it full time, put all my energy in only that. At the time
Toronto’s scene was still coming up and I didn’t feel I was getting
what I needed to be so I moved out to Los Angeles to try my luck out
there. California was definitely the wrong move for me. Coming from my
little farm house in London, Ontario to the big city? California ate me
up. I met a lot of people who claimed they could do a lot of things,
but I was naïve, overly trusting in a business where it might be better
to question first. I was taken, duped a number of times which had me
feeling pretty low but didn’t lessen my desire in any way. I
ended up coming to New York to meet with a management/production team
my brother had met through a friend. We all clicked right away – they
were very focused, put music above everything else and had a vision of
what we needed to do. They’d both been in the industry for a while and
knew so much, which was incredible for me… I soaked up as much as I
could.
We were dedicated, we worked very hard and song by song built up my
current album, Deeper, which we are all very proud of. It took a lot of
rough, unsure times for me to find what I needed but it worked out in
the end.
Q. Aside
from your solo project, you’ve had the opportunity to work with some
current hit makers like Elephant Man, and engineer Dave O’Donnell – how
has the experience helped your development?
A. We
reached out to Elephant Man because I had been a big fan of his since
back in the day. He blessed us with a verse before “Pon de River Pon de
Bank” and “Signal de Plane” came out and before he went to superstar
level in the mainstream; so when we ended up dropping our track, it was
a big deal because he was on it too, which helped spread the tune
further and faster than we might have on our own. Working with
people like Dave O’Donnell would have been straight-up intimidating if
he wasn’t such a sweet guy. He’s worked with so many huge artists –
James Taylor, Mary J- and now he’s working with lil’ ol’ me, definitely
a learning experience. He knows so much, it’s wonderful, and he takes
the time to explain and teach things. He taught me a lot about vocal
techniques, instrumentation, so many things that have been invaluable
to me. Nuff respect to Dave!
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Q. You are also on a few successful compilations to date, how did the opportunities come about?
A. We’ve
been blessed to have people hear the tracks over the radio, off the
internet, through word of mouth… and they’re feeling it. Universal
Canada heard “Agony” playing over the radio and contacted us about
including it on their Dancehall Hits 2004 compilation. There are
also a grip of mixtapes with our tracks on them floating around which
must have helped spread our music also. The Montreal International
Hip-Hop Film Festival picked up “Rush”, a lush beat-box infused R&B
track for their soundtrack through our website after they had heard
“Agony” on the radio.
Q. Your
songs are doing well on commercial radio, not only in Canada – but also
in the UK – the international market has definitely embraced you - The
international market is giving us so much love! One of Italy’s top DJ’s
licensed “Agony” for his compilation and released it out there, which
was very cool.
A. We’ve
found our songs all over the place, from China to Singapore! We’ve
gotten requests for lyrics from places like Germany and Sweden… it’s
very humbling to know so many people from all around the world have
heard my songs. Much love for all the support!
Q. It seems like you have a love for dance hall / reggae music – how is that since your background is East Indian?
A.
Well, I went to school with a lot of Caribbean folks who introduced me
to dancehall, which seemed to have the same beat as my heart. Something
about the rhythm, the flow,the songs really took a hold on me. I
remember when I first saw a video of Buju… I couldn’t believe all that
voice came out of him! And the jams… I was always at the jams… the ones
where you feel the heat hit you like a wet sheet when you walk in, and
that familiar smoky scent in the air. Calypso, Soca… now that was a
cardio workout! One of my best friends was Guyanese and we spent every
weekend at the parties – I guess it soaked into me...
Q. Your song “Ghost” where you speak about being haunted by a past lover – is that true!!??
A. Yes,
unfortunately, and it’s always the ones that are the worst for you that
are the hardest to forget! He was the one I thought I loved, the one I
was ready to spend my days with but things between us kept getting
worse and worse until I had to come to terms with the fact that they
weren’t going to get any better. It was hard to leave him – he
was my heart – but he was holding me back from my dream and I wasn’t
about to let that go. So I left. And now he creeps into my head when he
shouldn’t be there, interferes with my thoughts until he’s the only
thing I can think about.
I was so mad at him when I wrote “Ghost”. I was vexed… why couldn’t he just leave me alone?
Yessir, I believe in Ghosts.
Q. Tell us a little bit about the University of Western Ontario “1 hour fill in”?
A.
This was the turning point for me – when I realized music would be a
part of my life always. My brother was the MC for a big University
Culture show which ran into some technical difficulties. There were
over 2000 people there and he had to kill about an hour while they
fixed the problems. And so he called me out from the audience – me! A
likkle,overly-skinny, high school kid to sing for the crowd. I was
terrified! I’d always sung for myself and my imaginary friends… never
seriously in front of so many people – and University kids at that! I
sang from behind my brother at first, then got a little more daring and
sang with my back to the audience. After a couple of tunes the crowd
was giving me so much love I finally turned around to face them and
gave them love right back. It was incredible to me, to be able to share
with everyone like that. That was my first taste and after that I just
couldn’t get enough. I came to realize music was the only thing that
made me happy, the only thing I wanted to pursue.
Q. So aside from your baptism by fire performance at the “1 hour fill in” where else have you had the opportunity to perform?
A.
I have been lucky enough to perform in a lot of different places across
the US and lately in the wonderful city of T-dot. I’ve done a lot of
shows here in New York, but have gotten the chance to perform in spots
in Florida and North Carolina, from Texas to Washington and many cities
in between. I did a show for Miami Mardi Gras which was a lot of fun
and just last week I was in Toronto at the Opera House for a
performance. I love feeling the difference between cities, listening to
the way people talk and act and how they react to the shows.
Q. How are the crowds different from city to city?
A. I think different cities bring different energy’s – some are more laid back, and some are extra excited, ready to party.
Toronto was dope for me because it’s home. It’s got the same vibe that
I grew up with, that I used to get caught in when I would go see
someone perform or go to the jam.
Q. Have you released your album independently?
A.
Yes, we’ve released it on our own, and are shopping it to different
labels. You can get it off of our website, www.sumeetmusic.com, or
iTunes or Amazon.com or CDBaby.com or TowerRecords.com… it’s available!
Q. How is it doing so far?
A.
It’s been doing pretty well for us. We got a lot of pre-orders before
the album was ready to be sent out which was a great sign for us. Other
than that it has been selling pretty steadily over the website and
through the other merchants on the internet. It was great for us when
iTunes picked it up since everyone’s on there and you have the option
of just buying a few tracks if you’re not ready for the whole album
yet. And for those that aren’t sure yet if they want to cop it, we have
snippets of every song on our website www.sumeetmusic.com.
Q. Your follow up single, “Love Goes On”, when is that scheduled to release – and why did you choose it?
A.
“Love Goes On” has been released as our next single and is in rotation
across Canada and the UK. We chose it for the vibe it has and the
message it’s giving. We wanted to be able to express how grateful we
are for all the love we’ve been getting from everyone. It really makes
a difference, for real. I get fan mail from random people that I have
never met telling me they are proud of me. That’s deep to me, it really
means a lot. This industry is so unstable – one second you’re as high
as a kite and the next second someone’s cut your string and you come
plummeting down – the support and love I’ve been shown picks me up
every time and keeps me high. This song is from the heart.
Q. You’ve acquired a major management deal in the UK, how did that come about?
A.
They actually heard “Agony” and “Wine Me” over the radio out there and
contacted us about working together. It’s great to us that the music
got them to seek us out, not somebody’s hook up or recommendation… that
means the music is speaking for itself. They are remixing “Agony” with
a more UK sound and will be releasing it commercially over the next two
months out there. Other than that look out for the video, we
should be shooting around the end of July, and thanks for supporting
your girl! Save the Music.
By Heidi Alleyne |